Inception Besetzung Schauspiel
Dank modernster Technologie ist es in naher Zukunft möglich, in Träume und somit in das Unterbewusstsein von Menschen einzusteigen. Das Einsteigen bedeutet mithin auch die Möglichkeit des Diebstahls fremder und bisher ureigenster Ideen. Ein. Cobb, Arthur, Eames, Ariadne, Yusuf und Saito verbinden sich mittels einer Apparatur mit Fischer und dringen in Yusuf als ersten Träumer ein. Der durch das. Mombasa Casino Cashier Mobin Khan. Zeige die komplette Liste. Man of the Dream Daniel Girondeaud. James Johnathan Geare. Maurice Fischer Pete. Eames | Fans. Bekannt für. Mad Max: Fury Road. Fan werden. Ken Watanabe. Saito | Fans. Bekannt für. Unsere Erde - Der Film. Fan werden. Dom Cobb (Leonardo DiCaprio) ist ein begnadeter Dieb, der absolut beste auf Nolan dreht mit internationaler Besetzung den SiFi-Actionthriller „Inception".
Dom Cobb (Leonardo DiCaprio) ist ein begnadeter Dieb, der absolut beste auf Nolan dreht mit internationaler Besetzung den SiFi-Actionthriller „Inception". Eames | Fans. Bekannt für. Mad Max: Fury Road. Fan werden. Ken Watanabe. Saito | Fans. Bekannt für. Unsere Erde - Der Film. Fan werden. Saito stirbt auf der dritten Ebene und gerät ebenfalls in den Limbus. Cobb muss ihm folgen, und Ariadne beschließt, ihn zu begleiten. Sie kehrt später mit Fischer. Vereinigte StaatenVereinigtes Königreich. Hinzu kommt, dass der sich dauerhaft drehende Kreisel von Cobb nur für seine bzw. Cobb verwendet einen Kreisel, der die Eigenschaft hat sich in seinen eigenen Träumen immer weiter zu drehen. Nolan ist sich der Mehrdeutigkeit des Films bewusst und gab in einem Interview learn more here Wired an, dass Barbie Ganze Filme diese nur auf Basis einer stabilen Interpretation an das Publikum führen kann, da es sich sonst hereingelegt fühlen könne. Dieser Artikel wurde am Taylor Geare. Talulah Riley. Ebenso verzichtete er auf einen Dreh in 3Dda er ansonsten auf ein Objektiv mit Festbrennweite hätte verzichten müssen. New York Magazine, In dem Glauben, nicht das nötige Budget für den Film zu erhalten, versuchte Nolan, die Inhalte in einfacherer Form wiederzugeben. Set-Dekorateur Doug A. Der Plan scheitert knapp: Saito bemerkt rechtzeitig, dass der versuchte Raub excellent Jamai Raja Stream Deutsch good ein durch Cobb und sein Team gesteuerter Traum in einem Traum war.
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Inception Besetzung VideoAlloCine Interview with Inception Cast [PART 1/4]
The replica was made from fiberglass molds taken from authentic train parts and matched in terms of color and design.
The filmmakers set up elaborate effects e. Capturing the actors suspended within the van in slow motion took a whole day to film.
Once the van landed in the water, the challenge for the actors was to avoid panic. Cobb's house was in Pasadena.
N Hope St. The final phase of principal photography took place in Alberta in late November The location manager discovered a temporarily closed ski resort, Fortress Mountain.
Wally Pfister tested shooting some of these sequences using a high speed digital camera , but found the format to be too unreliable due to technical glitches.
Out of the six times we shot with the Photo-Sonics camera and 35mm running through it, every single shot was in the movie.
The whole point of cinematic imagery is it's three dimensional Wally Pfister gave each location and dream level a distinctive look to aid the audience's recognition of the narrative's location during the heavily crosscut portion of the film: the mountain fortress appears sterile and cool, the hotel hallways have warm hues, and the scenes in the van are more neutral.
Nolan has said that the film "deals with levels of reality, and perceptions of reality which is something I'm very interested in.
It's an action film set in a contemporary world, but with a slight science-fiction bent to it," while also describing it as "very much an ensemble film structured somewhat as a heist movie.
It's an action adventure that spans the globe". For dream sequences in Inception , Nolan used little computer-generated imagery , preferring practical effects whenever possible.
Nolan said, "It's always very important to me to do as much as possible in-camera, and then, if necessary, computer graphics are very useful to build on or enhance what you have achieved physically.
For the fight scene that takes place in zero gravity, he used CG-based effects to "subtly bend elements like physics, space and time.
The most challenging effect was the "limbo" city level at the end of the film, because it continually developed during production. Franklin had artists build concepts while Nolan expressed his ideal vision: "Something glacial, with clear modernist architecture, but with chunks of it breaking off into the sea like icebergs".
For the Paris-folding sequence, Franklin had artists producing concept sketches and then they created rough computer animations to give them an idea of what the sequence looked like while in motion.
Later during principal photography, Nolan was able to direct Leonardo DiCaprio and Ellen Page based on this rough computer animation that Franklin had created.
Inception had nearly visual effects shots in comparison, Batman Begins had approximately , which is relatively few in comparison to contemporary effects-heavy films, which can have as many as 2, visual effects shots.
The score for Inception was written by Hans Zimmer ,  who described his work as "a very electronic,  dense score",  filled with "nostalgia and sadness" to match Cobb's feelings throughout the film.
In Inception , Nolan wanted to explore "the idea of people sharing a dream space That gives you the ability to access somebody's unconscious mind.
What would that be used and abused for? This structure creates a framework where actions in the real or dream worlds ripple across others.
The dream is always in a state of production, and shifts across the levels as the characters navigate it. Deirdre Barrett , a dream researcher at Harvard University , said that Nolan did not get every detail accurate regarding dreams, but their illogical, rambling, disjointed plots would not make for a great thriller anyway.
However, "he did get many aspects right," she said, citing the scene in which a sleeping Cobb is shoved into a full bath, and in the dream world water gushes into the windows of the building, waking him up.
Nolan himself said, "I tried to work that idea of manipulation and management of a conscious dream being a skill that these people have.
Really the script is based on those common, very basic experiences and concepts, and where can those take you? And the only outlandish idea that the film presents, really, is the existence of a technology that allows you to enter and share the same dream as someone else.
Others have argued that the film is itself a metaphor for filmmaking , and that the filmgoing experience itself, images flashing before one's eyes in a darkened room, is akin to a dream.
Writing in Wired , Jonah Lehrer supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.
In both, the visual cortex is highly active and the prefrontal cortex , which deals with logic, deliberate analysis, and self-awareness, is quiet.
This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself.
As in the film's story, in a cinema one enters into the space of another's dream, in this case Nolan's, as with any work of art, one's reading of it is ultimately influenced by one's own subjective desires and subconscious.
Nolan combined elements from several different film genres into the film, notably science fiction, heist film , and film noir.
Marion Cotillard plays "Mal" Cobb, Dom Cobb's projection of his guilt over his deceased wife's suicide.
As the film's main antagonist, she is a frequent, malevolent presence in his dreams. Dom is unable to control these projections of her, challenging his abilities as an extractor.
As a "classic femme fatale" her relationship with Cobb is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves.
Nolan began with the structure of a heist movie, since exposition is an essential element of that genre, though adapted it to have a greater emotional narrative suited to the world of dreams and subconscious.
While a traditional heist movie has a heavy dose of exposition at the beginning as the team assembles and the leader explains the plan, in Inception this becomes nearly continuous as the group progresses through the various levels of dreaming.
In this way, exposition takes precedence over characterization. The characters' relationships are created by their respective skills and roles.
Ariadne, like her ancient namesake , creates the maze and guides the others through it, but also helps Cobb navigate his own subconscious, and as the sole student of dream sharing, helps the audience understand the concept of the plot.
The film cuts to the closing credits from a shot of the top apparently starting to show an ever so faint wobble, inviting speculation about whether the final sequence was reality or another dream.
Nolan confirmed that the ambiguity was deliberate,  saying, "I've been asked the question more times than I've ever been asked any other question about any other film I've made What's funny to me is that people really do expect me to answer it.
That always felt the right ending to me — it always felt like the appropriate 'kick' to me The real point of the scene — and this is what I tell people — is that Cobb isn't looking at the top.
He's looking at his kids. He's left it behind. That's the emotional significance of the thing. I'm the guy who invented the dream.
Some viewers have noted Cobb wears his wedding ring only during dream scenes. From this, they have concluded that Cobb is not dreaming in the final scene because he is not wearing the ring.
However, this theory has been disputed. Mark Fisher argued that "a century of cultural theory" cautions against accepting the author's interpretation as anything more than a supplementary text, and this all the more so given the theme of the instability of any one master position in Nolan's films.
Therein the manipulator is often the one who ends up manipulated, and Cobb's "not caring" about whether or not his world is real may be the price of his happiness and release.
Warner Bros. Although Inception was not part of an existing franchise, Sue Kroll, president of Warner's worldwide marketing, said the company believed it could gain awareness due to the strength of "Christopher Nolan as a brand".
Kroll declared that "We don't have the brand equity that usually drives a big summer opening, but we have a great cast and a fresh idea from a filmmaker with a track record of making incredible movies.
If you can't make those elements work, it's a sad day. Chris [Nolan] really likes people to see his movies in a theater and not see it all beforehand so everything that you do to market that—at least early on—is with an eye to feeding the interest to fans.
A viral marketing campaign was employed for the film. After the revelation of the first teaser trailer, in August , the film's official website featured only an animation of Cobb's spinning top.
In December, the top toppled over and the website opened the online game Mind Crime , which upon completion revealed Inception ' s poster.
The official trailer released on May 10, through Mind Game was extremely well received. Inception and its film trailers are widely credited for launching the trend throughout the s in which blockbuster movie trailers repeatedly hit audiences with so-called "braam" sounds: "bassy, brassy, thunderous notes — like a foghorn on steroids — meant to impart a sense of apocalyptic momentousness[.
With a production run of less than , it sold out in one weekend. In a November interview, Nolan expressed his intention to develop a video game set in the Inception world, working with a team of collaborators.
He described it as "a longer-term proposition", referring to the medium of video games as "something I've wanted to explore". On June 12, , Warner Bros.
The re-release will be accompanied by never-before-seen footage from Tenet and an exclusive sneak peek of select films on Warner Bros.
The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game," and concluded "the result is a knockout.
In its August issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson [ Escher or a state-of-the-biz video game; the backwards splicing of Nolan's own Memento looks rudimentary by comparison.
It's a breathtaking juggling act. Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out [ With Inception , viewers have a chance to see that notion get a state-of-the-art update.
If you're searching for smart and nervy popular entertainment, this is what it looks like. That's a tall order.
But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up. Not all reviewers gave the film positive reviews.
New York Magazine ' s David Edelstein claimed in his review that he had "no idea what so many people are raving about.
It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on I think I get it.
The movie is a metaphor for the power of delusional hype—a metaphor for itself. Scott of The New York Times commented "there is a lot to see in Inception , there is nothing that counts as genuine vision.
Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness. While some critics have tended to view the film as perfectly straightforward, and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive.
Several critics and scholars have noted the film has many striking similarities to the anime film Paprika by Satoshi Kon and Yasutaka Tsutsui 's novel of the same name , including plot similarities, similar scenes, and similar characters, arguing that Inception was influenced by Paprika.
Inception appeared on over critics' lists of the top ten films of , being picked as number-one on at least 55 of those lists.
The film's placement in some notable top ten lists: . In April , The Daily Telegraph placed the title on its top ten list of the most overrated films.
Telegraph ' s Tim Robey stated, "It's a criminal failing of the movie that it purports to be about people's dreams being invaded, but demonstrates no instinct at all for what a dream has ever felt like, and no flair for making us feel like we're in one, at any point.
Numerous pop and hip hop songs reference the film, including Common 's "Blue Sky," N. B 's " Strange Clouds ," while T. An instrumental track by Joe Budden is titled "Inception.
The song also name-checks DiCaprio in its lyrics. The film inspired the suffix -ception , which can be appended to a noun to indicate a layering, nesting, or recursion of the thing in question.
From Wikipedia, the free encyclopedia. Redirected from Inception film. For other uses, see Inception disambiguation.
Theatrical release poster. Emma Thomas Christopher Nolan. Legendary Pictures Syncopy. United States  United Kingdom .
Main article: Inception: Music from the Motion Picture. Main article: List of accolades received by Inception.
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Retrieved January 28, The New Yorker. Retrieved February 10, USA Today. The Neuroscience of Inception , Wired , July 26, Retrieved October 8, Retrieved January 24, Eames Ken Watanabe Saito Dileep Rao Yusuf Cillian Murphy Robert Fischer Tom Berenger Browning Marion Cotillard Mal Pete Postlethwaite Maurice Fischer Michael Caine Miles Lukas Haas Nash Tai-Li Lee Tadashi Claire Geare Phillipa 3 Years Old Magnus Nolan James 20 Months Old Taylor Geare Phillipa 5 Years Old Johnathan Geare James 3 Years Old Tohoru Masamune Japanese Security Guard Yuji Okumoto Saito's Attendant Earl Cameron Elderly Bald Man Ryan Hayward Lawyer Miranda Nolan Flight Attendant Russ Fega Cab Driver Tim Kelleher Thin Man Talulah Riley Blonde Nicolas Clerc Bridge Sub Con Coralie Dedykere Bridge Sub Con Silvie Laguna Bridge Sub Con Virgile Bramly Bridge Sub Con Helena Cullinan Penrose Sub Con Mark Fleischmann Penrose Sub Con Shelley Lang Penrose Sub Con Adam Cole Bar Sub Con Jack Murray Bar Sub Con Kraig Thornber Bar Sub Con Angela Nathenson Bar Sub Con Natasha Beaumont Bar Sub Con Marc Raducci Lobby Sub Con Carl Gilliard Lobby Sub Con Jill Maddrell Lobby Sub Con Alex Lombard Lobby Sub Con Nicole Pulliam Lobby Sub Con Peter Basham Fischer's Jet Captain Michael Gaston Immigration Officer Felix Scott Businessman Andrew Pleavin Businessman Lisa Reynolds Private Nurse Jason Tendell Fischer's Driver Jack Gilroy Old Cobb Shannon Welles Old Mal Rest of cast listed alphabetically: Michael August French Student voice uncredited John Ceallach Snow Commander uncredited James Currie Lawyer uncredited Youlanda Davis Mombasan Cashier uncredited Julie Eagleton Stockbroker uncredited Seve Esposito Italian Gambler uncredited Marcus Everett Stock Broker uncredited Zachary Christopher Fay Extra uncredited Daniel Girondeaud Bridge Sub Con uncredited Natalie Goldwin Pedestrian uncredited Guy Iannacone Airport Patron uncredited Marguerite Gioia Insolia Reporter uncredited Charles Jarrell